Showing posts with label portland. Show all posts
Showing posts with label portland. Show all posts

Wednesday, February 19, 2014

Brain scans reveal the power of art


"I have always believed art matters so it is exciting to see some scientific evidence to support the view life is enhanced by instantaneous contact with works of art," said Dr Stephen Deuchar 

Art News 


Works of art can give as much joy as being head over heels in love, according to a new scientific study.

"What we are doing is giving scientific truth to what has been known for a long time – that beautiful paintings makes us feel much better.
"But what we didn't realize until we did these studies is just how powerful the effect on the brain is."


 - Professor Zeki
http://www.telegraph.co.uk/culture/art/art-news/8500012/Brain-scans-reveal-the-power-of-art.html


Photo: Brain scans reveal the power of art
Works of art can give as much joy as being head over heels in love, according to a new scientific study.

"What we are doing is giving scientific truth to what has been known for a long time – that beautiful paintings makes us feel much better.
"But what we didn't realize until we did these studies is just how powerful the effect on the brain is." - Professor Zeki




Painting Copyright Michael Orwick 2014 www.michaelorwick.com





Tuesday, January 21, 2014

What I dream of is an art of balance, of purity and serenity

"What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject-matter, an art which might be for every mental worker, be he businessman or writer, like an appeasing influence, like a mental soother, something like a good armchair in which to rest from physical fatigue."
-Henri Matisse


I liked and borrowed this quote from today's The Painter's Keyshttp://clicks.robertgenn.com/horizontal.php

Eastern Vista
http://michaelorwick.com/workszoom/839093\


Tis of Thee - Moose Creek
http://michaelorwick.com/works/742450/web-tis-of-thee-moose-creek

Thursday, January 16, 2014

I'm now teaching in Portland at the Oregon Society of Artist

I'm now teaching in Portland at the

Oregon Society of Artists 


and

For the first time ever, I'll be offering

On going drop in classes



These classes are the 1st, 3rd and 4th Thursday with Free painting demonstrations and talks by different artists on the 2nd Thursday of every month.

http://michaelorwick.com/workshop/8750/on-going-drop-in-classes

Price: $20.00
Location: Oregon Society of Artists
Address:
2185 SW Park 
Place Portland Oregon 



Suggested supply list 
http://michaelorwick.com/workshop/8756/supply-list

Drop in Painting Class Schedule is Thursdays just $20
Mark your calendar

February
Febuary 6th 9:30 - 12:30 First class at OSA starts! Free cards and prints to the students that make it to the first day!
Febuary 13th starting at 11 am Free painting demonstratons and talks by differnet artists on the 2nd Thursday of every month
Febuary 20th 9:30 - 12:30
Febuary 27th 9:30 - 12:30



Portland, Oregon
Country: United States
Website: http://www.oregonsocietyofartists.com/






Michael Orwick

Michael Orwick Arts LLC
www.MichaelOrwick.com
503.329.2167

Facebook

For a quick and easy way to sign up for my news letter

http://mikeo.fineartstudioonline.com/email-newsletter

Wednesday, January 15, 2014

10 steps to becoming a better painter



For a list of classes and workshops that are going to get you painting more please check out http://michaelorwick.com/workshops


Michael Orwick

Michael Orwick Arts LLC
www.MichaelOrwick.com
503.329.2167

Facebook

For a quick and easy way to sign up for my news letter

http://mikeo.fineartstudioonline.com/email-newsletter


Tuesday, January 14, 2014

Enough! step away from your computer and



Michael Orwick Arts Newsletter

Keep up to date with where Michael Orwick is showing and teaching. See Behind the scenes as art is created outdoors and in the studio. Take the fear and pretension out of art. Make art and art buying approachable and fun.http://michaelorwick.com/email-newsletter

Friday, January 10, 2014

Paint with a friend today


"A good painting to me has always been like a friend. It keeps me company, comforts and inspires."

                                                                                                                     - Hedy Lamarr 


Taking a class or workshop with me is a great place to paint with a friend.
http://michaelorwick.com/workshops

Tuesday, December 4, 2012

Two decades! Come join me as we celebrate the Caswell Galleries 20th Anniversary Celebration





     

  Gallery header 3
DSC02041 3

December at the Gallery
Our Holiday Group Show &
20th Anniversary Celebration

Join us for First Friday, December 7, 5-9 pm
The month of December is full of festivities, starting with First Friday and Holiday Open House and our Group Show with Brenda Boylan, Michael Orwick, Katie Hovis of Whimsy and Ali Peret Designs.

Pause On Sellwood  8x10 OilBack with lots of brand new work is Brenda Boylan. Most of you know Brenda's gorgeous, landscape pastel work, but she has been working in oils this year and will be showing a body of work including city scapes. Also joining the festivities will be oil painter, Michael Orwick whose beautiful landscapes of familiar Oregon locations are always popular.

Also in the Gallery, beautiful blown glass bowls by Russell Ford and unique extruded crystal lamps by Keith Appleman.
 These glass pieces make wonderful gifts and additions to your home decor.Michael Orwick 2011-May6th

Visit Ali Peret Custom Designs and see what he has available for gift giving. If your in the market for a special Christmas gift, don't wait till the last minute-now is the time to shop!
Katie ringsIf you love artisan jewelry, Katie Hovisof Whimsy will be here with her gorgeous new rings. Very cute, very affordable! Katie uses fine metals and gemstones for her wire wrapped jewelry. Always unique and one-of-a kind.

We will have Rip's sculpture "Mary and Joseph" on view and available for Christmas. Ask to see this beautiful piece.
Along with these popular artists, we will have entertainment by songwriter and vocalist, Crystal Larizaand FREE wine tasting with our friends from Phelps Creek Vineyard!

Make sure to start your weekend off with us! Festivities start at 5:00 p.m. Most Troutdale Merchants participate in First Friday and this month's will coincide with Troutdale's Tree Lighting Ceremony in Mayor's Square, so we guarantee plenty of Christmas spirit! Troutdale has great restaurants, shops and lots of parking.

There will be no First Friday in January, but we'll be back on February 1, 2013.
Holiday Open House throughout the weekend Dec. 8th - 9th.
Come view the precast offerings and enjoy holiday refreshments.
Receive an exclusive Caswell gift with any purchase!
And, remember, Caswell Gallery offers a simple layaway plan!
Follow our blog!
We have launched the Caswell Gallery blog. We are blogging about all kinds of things, so take a look and sign on. If you have any suggestions or ideas of topics you would like to know about or have us look into, let us know, it could be our next blog post.
Caswell Gallery & Studio
253 & 255 E. Columbia River Highway

RiGallery 4_2012 (11)
p Caswell opened his gallery in Troutdale in 1992 and quickly gained a reputation as both an acclaimed sculptor and curator of fine art of all mediums.The Gallery has recently relocated just blocks from its original space, alongside Rip's sculpting studio and Ali Peret Jewelry Designs Studio. Inside you will find a special collection of Rip's limited edition fine art sculptures along with a variety of works from the region's top artists.   

We are now open on Monday-Saturdays 10-5:30, and Sunday 12-5.

Call us at 503.492.2473 or email 
kathy@caswellsculpture.net for more information.

We look forward to seeing you!
  
                                                                www.RipCaswell.com



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Tuesday, April 3, 2012

Wine, Lavender, Surf! Paint it all with Me.


Thank you to the great  http://allaprimaportland.blogspot.com 

Michael Orwick Summer Painting Workshops Schedule

Put life and personality into your landscapes!
In Michael Orwick's workshops you will learn the fundamentals of landscape painting and the importance of observation, rather than formulas and recipes. Through instruction, demonstrations and critiques you will explore composition, design, value, color harmony, brushwork and edges.

Each day will include a demonstration, a group discussion about painting techniques, materials and philosophy together with individual instruction at your easel.


Michael Orwick Summer Workshops 2012:

Painting the Vineyards Color and Light
Workshop Dates: 6/8/2012 - 6/10/2012
$300.00

Oregon's premier wine country inn and one of Wine Spectator's favorite locations;Youngberg Hill Inn sits atop a mountain with commanding views over the valleys below. Located on 50 acres and surrounded by 22 acres of award-winning Pinot Noir & Pinot Gris.

Painting Coastal Color and Light 2012Workshop dates: June 18-22, 2012 (10-4 daily Cannon Beach)
$500.00 (or $125 per day

Instructors: Eric Jacobsen and Michael Orwick

This class will be followed by the Cannon Beach Plein Air and More event occurring on June 22- 24, 2012.

Join Eric Jacobsen and Michael Orwick in scenic Cannon Beach, Oregon, for 5 days of painting spectacular coastal scenery.
This workshop is open to oil painters of any level. 
Look forward to lots of personal painting time and help every day. 
Demonstrations will be directed at oil painters, but concepts and principles will apply to all media. 
So many views and scenes to choose from! Eric and Michael often like to paint the light of morning and evening best and always welcome their students to join them for informal sunrise / sunset paint outs (no extra fee).

Yamhill Lavender Plein Air Workshop
Workshop Dates: 7/6/2012 - 7/8/2012 Woodland Lavender Farm

$295.00

A plein air landscape painting workshop will be held on July 6-8 in conjunction with the Yamhill Lavender Festival Plein Air Paint Out.
Print this pdf file (below) and send in to a attend.


Michael's website: http://michaelorwick.com/
Email Michael







Tuesday, January 13, 2009

my work in American Art Collector Magazine

I want to thank all my new and established collectors and friends who have come forward in the last few months to make 2008 an amazingly fantastic year. We sold over 28 paintings in the final couple months of the year and your support means very much to me and my family. The Fact that in financially difficult times so many of you have fallen in love with and believed in my art enough to give them new homes has not been taken lightly. 2009 is going to be another great year, as I continue to learn and to push the potential of my paintings to bring a little added beauty and serenity into the world. I look forward to seeing many of you again at my shows this year and to making many new friends also. So please stay in touch, and as always let me know what you think of the paintings and the directions I'm taking them in.
Look for the painting "Still Beauty" in the upcoming American Art Collector magazine in the Savvy Collector's Preview Guide to Upcoming Shows in Conjunction with my February show with Jeff White at Cole Gallery in Edmonds Washington.
Cole Gallery (425) 697-2787
Collector's Bonus:
here is a preview of many of the new landscape paintings for that show.
Still Beauty
11x14 oils on canvas
Bathed in Golden Light
15x30 oils on canvas
Gather Clouds in Your Branches
8x16 oils on canvas
Reflect the Light
16x20 oils on panel
The Willow Listens 8x10 oils on panel
Summer's Serenade
8x10 oils on panel
Time to Spare
6x12 oils on canvas
Leaves rustling
24x30
All the best,
Michael Orwick Orwick Arts http://michaelorwick.blogspot.com/
My art hints at a story and then invites you to finish the narrative. My style has been called Inspired Expressionism, which combines impressionistic brush strokes and a touch of realism to create the atmosphere and lighting woven into my work. The easiest way to see my work is at http://www.michaelorwick.com/

Friday, October 31, 2008

Join Artist Michael Orwick as Beautiful Cannon Beach celebrates the early days of winter

Hello, and Happy Halloween to all my friends and collectors and collector friends.
A sneak peak of some of the oil paintings that I have been working on for the upcoming Stormy Weather festival in Cannon Beach at Dragon Fire Gallery. http://michaelorwick.blogspot.com/2008/09/oregon-coast-gallery-gets-stormy-in.html
On November 7 to 9, the north Oregon coast town of Cannon Beach celebrates the early days of winter with the enormous Stormy Weather Arts Festival. DragonFire Gallery's portion of that citywide event is three days of color, light, music, food and conversation. An enormously talented trio of oil painters makes up our featured artists this year. Michael Orwick, Tracy McEwen and Christopher Bibby will eat, drink and sleep their medium over the weekend, appearing at the quick draw on Friday night http://michaelorwick.blogspot.com/2008/08/one-of-my-most-favorite-art-events-of.html and then spending Saturday and Sunday in the gallery, demonstrating and chatting about their techniques.
123 S Hemlock St # 106
Cannon Beach, OR 97110
(503) 436-1533
"Experience that “certain slant of light” Michael Orwick brings to his work. Michael fuses a fierce impressionistic talent with modern sensibility to paint Oregon landscapes that shimmer with light. He celebrates the natural beauty around us as only a native-born son can."
-DragonFire Gallery
Paintings listed from the top down
Shyly Bow 14x11 oils on canvas panel (Top Orange) Our Storm Is Past 10x8 oils on canvas panel (Sunset on beach)
New Splendour 20x16 oils on canvas panel (Soft light on Creek )
In Green Shadows 8x10 oils on canvas panel (Pink sky)
Part of the Mighty 14x11 oils on canvas panel (big wave)
Be Still 11x14 oils on canvas panel (purple sky)
Gaze Back 14x18 oils on canvas panel (Birch Trees)
The Day's Amens 10x8 oils on canvas panel (trees at sunset)
All the best, Michael Orwick Orwick Arts http://www.michaelorwick.com/
My art hints at a story and then invites you to finish the narrative. My style has been called Inspired Expressionism, which combines impressionistic brush strokes and a touch of realism to create the atmosphere and lighting woven into my work. The easiest way to see my work is at http://www.michaelorwick.com/ Use your voice to make a change...Get out and vote!

Sunday, January 6, 2008

95% of art being sold on the art market is rubbish

I wanted to post this essay and my short response to start the dialogue about art the art world and the "emperors New Clothes" syndrome that is all too prevalent.

I spend most my time on this blog talking and writing about the joys of collecting, an enjoyment that should only increase as one begins to trust your gut, learn what they like and continue to educate themselves about the artist and their art.

I want to warn new collectors against being swindled, nothing I can imagine would turn me off more then realizing that I had been fed a line and took home “art” that sits in storage. Collectors should remember the event of buying a painting as a special experience. We artists should feel confident that when we are selling or our work is being sold for us that the buyers are having a great time, one they can remember each time they look at the painting.

It is important to find people you trust and to learn to trust yourself.
The first rule of collecting is to buy what you like, I would be very wary if an artist or a dealer tried to sell art on investment purposes alone.






It’s True, 95% of Art is Rubbish !!!





Nicholas Forrest is an art market analyst, art critic and journalist based in Sydney, Australia. He is the founder of artmarketblog.com, writes the art column for the magazine Antiques and Collectibles for Pleasure and Profit and contributes to many other publications.


Posted on January 4, 2008.


http://artmarketblog.com/2008/01/04/its-true-95-of-art-is-rubbish/


http://artmarketblog.com



I am here today to tell you that 95% of art being sold on the art market is rubbish, yet only a small percentage actually gets recognised as being rubbish. The fact that there is so much shit art on the market could be a good thing for the art market because it makes the good art look even better but there is a problem in that people actually buy the rubbish art.
One of the main reasons that there is so much rubbish art on the market, and so much rubbish art being sold, is that people are afraid to say anything negative about an artwork. The reason that people are afraid to voice a negative opinion of an artwork is that they think that other people will think that they are naive, stupid, or not culturally advanced enough to be able to appreciate or understand the artwork. Because everyone is so afraid of looking stupid they say that they like an artwork even when they don’t which has a snow ball effect to the point that so many people say that they like an artwork that they actually begin to believe it, which causes other people to believe it, and so on..
One of the tactics that galleries, auction houses and other art sellers use to create the impression that an artwork is better than it really is, is to create over-intellectualized, complicated and indecipherable descriptions or analyses of an artwork that are designed to sound extremely impressive yet be so complex that people don’t realise that what they are reading is complete rubbish. For some reason people seem to think that what a gallery or dealer says about an artwork has to be true and that an artwork must be good if the description or analysis of an artwork is complex and sounds impressive.
When investing in art is of the utmost importance that you stick to the factual information and statistics that can’t be manipulated because almost any artwork can be made to sound good.






Nicholas,


This blog could so easily come off as mean spirited and angry, but you have really nailed something that has bothered me for as long as I have been looking at art. When I read long and esoteric explanations of what is in essence a form of visual language it often becomes obvious that they are compensating or worse yet even trying to trick or guilt an audience into examining a not very good piece of work.

I would like to learn what your thoughts are on the place of beauty as a subject and celebration of is in art.

All the Best,
Michael Orwick

Monday, December 10, 2007

Art's true value part 2 Money: the supreme icon by Duane Snider




Guest Writer

Art's true value



(Part Two)



Money: the supreme icon



by Duane Snider




The early-20th-century philosopher Irwin Edman gives a remarkably simple bit of insight into what art offers us in everyday life:
"Painters speak of dead spots in a painting: areas where the color is wan or uninteresting, or the forms irrelevant and cold. Life is full of dead spots. Art gives it life. A comprehensive art would render the whole of life alive."
The history of art includes the history of icons in every imaginable variation. It's a history that goes back as far as the cave drawings at Lascaux.
Examples of iconic images range from Christ and the Virgin Mary to Warhol's Campbell's Tomato Soup Cans.
Icons help connect us with not only religion, but also with culture, nature, human events and the inner self. Icons form a language of symbols we use to connect with and find meaning in our lives. The greater the meaning a symbol or image can convey the greater the value we place on that image or icon.
It's easy to understand how iconic imagery becomes an artistic commodity in the commercial side of art. The term "value" takes an entirely different meaning when we talk of the business of art. In this context the dollar is the supreme icon. Imagery becomes a means to a profit rather than a symbolic dialogue on the meaning of things.
PBS recently aired a 90-minute biography of Frida Kahlo. After detailing her life, her art and the intensity of the imagery in her paintings, the credits rolled over a video of an auction for one of her simple self-portraits. The bidding closed at $1.2 million. That's a strong statement, but I wonder about the message it sends to the average person who will never see that kind of money and doesn't have much knowledge of art.
Why are people so eager to lay down such a huge sum for a single painting?
The desire for ownership of famous works by famous artists is the common way of rationalizing such purchases. We covet cultural icons familiar to us and to society at large.
On a deeper level it's about the desire to own anything that is the product of genius. Owning the work of a genius offers a material connection with the artist, maybe even a window into the mind of the artist.
For the artist and the collector the artistic process is about making a commitment to an idea and an ideal as a means of defining personal identity. The artist creates and the collector adopts as both follow a path of self-discovery. With the discovery of a unique identity comes the creation of a bridge between the self and the rest of the world.
When, as an aspiring musician, I adopted Picasso's "The Old Guitarist" as a personal symbol, I had unconsciously started down a path that lead me to a greater understanding of who I was at a particular time. That enhanced consciousness helped me let go of one phase of my life and move on to another. The end result was personal growth.
We are faced with the duality of the commerce of esthetics. The art business is the production, marketing and sales of artistic windows into the mind, heart and spirit.


Part 3 from Duane Snider's essay Art's True Value coming tomorrow.


All the best,

Michael Orwick

Wednesday, September 12, 2007

The Artwork of Michael Orwick


Painting a Story
The Artwork of Michael Orwick

“Michael Orwick at his best melds pictorial storytelling with a hauntingly familiar world. He creates compelling views of our world that move beyond time and place – full environments for your mind to explore, your senses to imagine…”
-Mari Rockett - Curator, DragonFire Gallery

Growing up in the Oregon Cascades and the Willamette Valley, nature and the rich landscape have had a profound impact on Michael. He has always been awed by the extraordinary ability of landscapes to tell stories, just as art does.

Michael’s career in art started in animation (Will Vinton Studios) and moved quickly into illustration, where he enjoyed bringing the ideas of others to life.

Today Michael is creating what he calls “Inspired Expressionism,” painting his own ideas on canvas and inviting you to provide the narrative.

Michael offers hints of the mood through atmosphere and serene colors, suggesting a place and a time of day. It is what he leaves untold that grabs you, though. He shares his enigmatic vision and invites you to imagine your own story. And often you can’t help the feeling that you have ‘seen this place,’ as if through a car window or in passing to somewhere else…

Orwick’s paintings grant you the rare chance to go back and explore a special place that fuels the imagination.

Art evokes the mystery without which the world would not exist. -Magritte