Thursday, May 26, 2011

Michael Orwick Workshop To Kick Off Plein Air & More Festival in Cannon Beach


Michael Orwick Workshop To Kick Off
Plein Air & More Festival in Cannon Beach
Spend Three Days Painting
Coastal Color and Light on the Beach

Cannon Beach, OR --  Oil painters at every level are invited to join Michael Orwick June 22-24  in painting some truly spectacular scenery. This workshop will lead into the 3rd Annual Plein Air & More Festival June 24-26 with more than two dozen artists celebrating this artistic style as they create art on location throughout the town and on the beach. The featured artists’ finished works will be showcased at gallery receptions on Saturday evening and at a group show at the Cannon Beach Chamber Building Sunday afternoon.

Orwick’s workshop will focus on the fundamentals of landscape painting while exploring the beauty and atmosphere of the area.
He will stress the importance of observation rather than using formulas and recipes to paint what you actually see and feel. Students will also learn how to recreate some of the constantly changing atmospheric situations offered by the Oregon Coast.

Each day will include a demo and a group discussion about painting techniques, materials and philosophy, and individual easel time along with helpful critiques.  Students are also invited to join Orwick for informal sunrise and sunset paint outs at no additional charge.


Contact:

Information regarding the workshop:
Dragonfire Gallery
503-436-1533 begin_of_the_skype_highlighting            503-436-1533      end_of_the_skype_highlighting
More about the Plein Air & More festival:



www.cbgallerygroup.com

Saturday, April 23, 2011

What is Land Snorkeling - Clyde Aspevig


From “Land Snorkeling with Clyde Aspevig”, by Scott McMillion, Montana Quarterly, Fall 2009
Land snorkeling isn’t power walking, or even hiking. It isn’t about exercising your body. Rather, it’s a conscious method of exercising your curiosity. It’s not so much about finding answers as it is about finding questions.
Clyde Aspevig
"Winter Glow"Oil on Canvas
48 x 48 Inches 
© Clyde Aspevig
It’s a vital tool for Clyde Aspevig, one of America’s preeminent landscape painters. He’s been land snorkeling most of his life but only recently came up with a name for it.
Go outside. Walk Slowly. Pay attention. Listen. Smell the air. Taste it. Look at the soil and see how it responds to your step. Notice which grasses shine brightest in the morning dew. Compare birds, the differences in wing and shape and flight pattern. Maybe kick over a rock, see what’s under there.
      
Clyde Aspevig
"January Pearl"Oil on Canvas
20 x 24 Inches

© Clyde Aspevig
This is land snorkeling. Doing it could take you almost anywhere, even if you never leave your own neighborhood.
       
Think of it like snorkeling a reef. You drift over mysterious turf. You keep your head down, mostly. Everything is cool, so you look it all over, and you wonder. You come back smiling.

“The act of discovery is one of the most gratifying sensations,” he told me, standing on the bank of the Shields River, near his home in the shadow of the Crazy Mountains. 
Illustration ©BlairThornley.com
What is it? 
By Clyde Aspevig
Clyde Aspevig
"Flower Gardenen"
Oil on Canvas
24 x 12 Inches 
© Clyde Aspevig
Land snorkeling is taking the time to savor aspects of nature we ordinarily don’t see or pay attention to. Land snorkelers wander thru nature with no intention of hiking to a destination. One contemplates what we find in nature and explores every possible connection with all parts of our natural world. Each blade of grass, rock, or creature has some connection to us. We ask questions looking at nature and find out what that connection might be – we develop our cognitive and abstract muscles to solve the problem. We have fun doing it. It helps us to think. Our imagination and creativity is enhanced and richens our lives in a healthy and productive way. It’s free and it’s fun.
Land snorkeling is reestablishing the ancient connections to our landscape. We open up all of our senses to experience the hidden treasures of nature. We develop our intellect thru our senses. We sniff it, touch it, examine the texture, color, shape, etc. etc.
We look closely at things – like a feather found in the grass, a wing design, a rocks texture, and the pattern of a tree growing.

Carol and Clyde

Tuesday, April 5, 2011

Thinking about taking a painting workshop?


This is a repost of one of my student's blogs about my recent Cannon Beach painting workshop. Posted here with permission, thank you Rick Jasper.


Michael Orwick Teaches Oil Painting Workshop

The small coastal community of Cannon Beach, Oregon was the setting for an oil painting workshop instructed by Michael Orwick. Michael’s experience as a landscape painter, combined with his passion for painting, provided for a magical 3-day event.
The students were introduced to three distinct approaches to starting a new piece. Each one focused on developing a strong tonal quality, as well as a balanced composition.
Michael’s method of mixing colors from a limited palette, not only simplified the process, but also made it easy to create rich, dramatic and controlled colors.
By applying the solid practical principles laid out in class, each participant made great strides in artistic growth over the three day period.
Michael’s enthusiasm was contagious, and the atmosphere of encouragement made the class an added delight.
There was even an opportunity for some “plein air” practice. The bravest among the group set up their easels on the beach, and painted along side Michael, as they attempted to capture the sunset in real time.
During the afternoon session on Saturday, the owner of the Dragonfire Gallery talked to the students about art from the gallery’s perspective.
Later that evening, the gallery hosted a special reception for the group with appetizers and wine. This change of venue was a great chance to converse with fellow students on a more personal level. And with the framed paintings done by Michael and other artists hanging throughout the gallery, it was tempting to wonder if maybe one or two of those present might one day have their work hanging in galleries as well.
Sunday was the final day of the workshop. One by one, starting around mid-afternoon, students scrapped the colors from their palettes, said their goodbyes and departed. But no one left empty handed. Each took with them, a more complete understanding of the painting process, as well as a greater visual sensitivity. Students were now armed with a new arsenal of tools to take command of their work with.
http://michaelorwick.com/workshops
I was lucky enough to take part in this workshop. Below are some paintings I did during our sessions. Even though they need some work, I consider each a success, because I learned valuable lessons while working on them, which I can apply to future projects.
Hopefully, with practice, I will progress and improve. I will most likely never see any of my works hanging in a gallery, but I can certainly develop new skills and mature as a painter.
Michael Orwick refers to his painting style as “inspired expressionism”.  By his color choices and purposeful use of light, Michael creates an atmosphere that takes the viewer on a journey to a place somewhere between the familiar and the entrancing. The onlooker is drawn into the painting and is invited to bring it to life by providing details of the story that are left unsaid by brushstrokes. This approach engages the viewer in a way seldom achieved.
If you would like to know more about Michael’s paintings or check out future workshops, visit his website at: www.MichaelOrwick.com or stop by the DragonFire Gallery in Cannon Beach.
http://michaelorwick.com/workshops

Wednesday, February 23, 2011

Big News ...

This just in from flairCreativ Presents Artists To Watch ...  


Pinot & Palette

The Art of Michael Orwick
The Art of Pinot Noir
Art Elements Gallery, Newberg, Oregon
With Sokol Blosser, Anne Amie & Vista Hills Wineries 
May 26 – June 18, 2011



Well-known landscape and portrait artist from the Pacific Northwest, Michael Orwick, will be the centerpiece at Art Elements Gallery in Newberg, Oregon in May. His landscape paintings of regional vineyards will also be featured in satellite exhibits at three Willamette Valley wineries: Sokol Blosser, Anne Amie, and Vista Hills.

Wine-growing is a major player in the economic health of our region and reflects the health of the soil and our environment. Similarly, the arts are foundational to a thriving community. When the arts are flourishing, our culture and economy are also prospering.

Pinot & Palette is a celebration of prospering, terroir, and the cross-pollination of two of Oregon’s renowned art forms: painting and winemaking. With works that explore the beauty of the vine and viticulture, the Oregon landscape, and the romance and industry of Oregon’s wine producers, this multi-venue exhibit will be a celebration of the grape and all that we appreciate about life in the Willamette Valley.

Each of the wineries is contributing to Pinot & Palette Passport, a self-guided tour of the wineries ending at Art Elements Gallery, with gifts awarded in a drawing on June 16. Included in this generous prize package will be items from each winery, a one-night stay in resort lodging in the heart of Oregon’s wine country, complements of  Art Elements Gallery, and a signed print of a selected work by Michael Orwick.

------------------
Pinot & Palette | ART ELEMENTS GALLERY | May 26 – June 18, 2011
604 East First Street, Newberg, Oregon 97132 • 503.487.6141 
Artist’s reception: Art Elements Gallery, Wednesday 5|26|11, 5:00 – 8:00 p.m.

Pinot & Palette
WINERIES EXHIBITS | May 20 – 30, 2011
Sokol-Blosser, 5000 Sokol Blosser Lane, Dundee, Oregon 97115 · 503.864.2282
Anne Amie Vineyards, 6580 NE Mineral Springs Road, Carlton, Oregon 97111 · 503.864.2991
Vista Hills Vineyard & Winery, 6475 Hilltop Lane, Dayton, Oregon 97114 · 503.864.3200
---------------------
For additional information on Michael Orwick and to see images of his work ...  www.MichaelOrwick.com
ART ELEMENTS ... www.artelementsgallery.com
FLAIRcreativ  on Facebook

Sunday, February 20, 2011

hint: it's going to be a big party!

http://michaelorwick.com/email-newsletter

I'm getting my shiny new Newsletter all set up through my website and would like to invite any or all of you to sign up to keep up. 


I have some big art news coming very soon (hint: it's going to be a big party).





Tuesday, February 15, 2011

Painting Coastal Color and Light



Workshop Dates: 6/22/2011 - 6/24/2011
Location: Cannon Beach Oregon The Amazing Oregon Coast 97110
To sign up Contact Information:
www.dragonfirestudio.com 503 436 1533
503 693 7639
Cannon Beach Chamber of Commerce 207 N Spruce St
Cannon Beach OregonThe Amazing Oregon Coast 97110
United States
www.MichaelOrwick.com
$300.00
June 22, 23, and 24
http://www.cbgallerygroup.com/old-docs/pem2011.htm





Join Michael Orwick in scenic Cannon Beach, Oregon, for 3 days of painting some truly spectacular scenery.


Put life and personality into your landscapes. We will focus on the fundamentals of landscape painting while exploring the beauty and atmosphere of the area.
10am-4pm (I like to paint the light of morning and evening best and my students are always welcome to join me for informal sunrise and sunset paint outs at no additional charge.)





You will learn the importance of observation rather than using formulas and recipes to paint what you actually see and feel. Through instruction, demonstrations, and critiques, this workshop explores composition and design, value and color harmony, and brushwork and edges. Students will also focus on recreating a some of the atmospheric situations the Oregon Coast offers.




Each day will include a demo and a group discussion about painting techniques, materials and philosophy, and individual easel time along with helpful critiques. I like to concentrate on the basic elements of painting and will include an exercise or two to reinforce some of the basics that we all need to brush up on from time to time. There will be at least one black & white exercise, and the chance to paint full color studies as well. At the end of the three days there will be time for a discussion about your work and for questions as a group.



The workshop is open to oil painters of any level.


Look forward to Lots of personal painting time and help every day. We'll all learn a lot and have a great time.


Bring photo references in case we have to paint inside due to extreme weather.


Demonstrations will be directed at oil painters, but concepts and principles will apply to all media.






Oil Painting Supply List


Canvas and Painting Surfaces
_ Sizes 8x10 and 11x14 for learning on cheap boards and canvas panels are fine. Use what you like and can afford easily. I Use Raymar.com Portrait canvas boards.


Paints
_ 1. Ivory Black — general mixing black with moderate tinting strength. I try not to use black very often, but we plan on doing some black and white studies, which are a great way to learn values.
_ 2. Titanium-Zinc White - best general mixing white
_ 3. Cadmium Lemon – cool color, great mixing yellow can go warm or cool. Option instead of Lemon yellow Hansa Yellow Lt.
_ 4. Cadmium Yellow Med. — warm opaque yellow
_ 5. Cadmium Red Medium –can go warm or cool
_ 6. Quinacridone Red (or Alizarin) — cool red replacement for Alizarin and makes high key tints
_ 7. Ultramarine Blue or French ultramarine — warm (toward red)
_ 8. Manganese Blue Hue — cool (toward green) transparent water blue this beautiful color that many people can use for sky and water.


My extra color I keep around in Gamblin’s Indian Yellow for warmth.
Media
_ 1. Gamblin Gamsol odorless mineral spirits for painting and cleaning.
_ 2. Winsor & Newton Liquin for detail and glazing, to unify shine.
Other Supplies
_ 3. I always have a roll of paper towels ready to wipe my brushes and canvas. I like Viva paper towels.
_ 4. A Round Point Painting/palette knife sometimes called a Spatula knife for mixing colors and occasionally for painting.
_ 5. I like to mix my paints on a glass surface, but most any palette can work. Try to stay away from the disposable paper type.
Brushes
I like Chungking Hog Bristle brushes for their strength and durability. I buy mostly flats and Filberts in sizes 6, 8, 10, and 12 with one smaller size like 2 for detail work. I use these brushes for the whole painting. I order mostly Utrecht.com series 209 White Hog Bristle.
_6. Standing Easel. I use The Easy-L


A few links to supplies that I use.
Feel free to get what you like from where ever you like.


http://www.artworkessentials.com/


http://www.utrechtart.com/dsp_view_products.cfm?classID=1216&subclassID=121610&brandname=Artria


http://www.utrechtart.com/dsp_view_products.cfm?classID=1210&subclassID=121010&brandname=Utrecht%20Series%20209


http://www.raymarart.com/


http://www.mgraham.com/ I love their Manganese Hue color


http://www.gamblincolors.com/ Love their Indian Yellow and Earth Red.

Wednesday, February 9, 2011

Title ideas for the vineyard show so far


Thank you all for so many great title ideas for the show.

  1. feast of art, wine & land

  1. The vine and the brushes

  1. The Fruity Canvas

  1. Art for Winos

  1. Bottles and Brushes

  1. feast of art, wine & land

  1. Vintners' Visions

  1. May Art and Wine Show



    Featuring Select Oregon Vineyards and the Art of Michael Orwick

  1. Painting the Land of Pinot Noir and so much Moir

  1. The Beauty of the Vine

  1. An Artist Meets his Wine

  1. Painting the Land of Pinot Noir

  1. The May Vineyard Show

  1. The Land of Pinot and Moir

  1. Art and Wine Tour

  1. Oregon Vineyards Art Show



    Featuring Orwick Arts

  1. Wine and Design

  1. Views of the Vines



    Unveiling Wine and Art in May
    Featuring Select Oregon Vineyards and the Art of Michael Orwick

  1. Oregon Vineyards Art Show 2011

  1. Wine, Light & Canvas

  1. fruit of the vine captured in art

  1. Perfect pairing

  1. In the Realm of the Vine           

  1. Blend

 So far I like a bunch of these but I'm leaning toward 

Perfect pairing
with the subtitle of
Michael Orwick 

Painting the Land of Pinot Noir and so much Moir